Performances in N.Y.C. Advertisement Supported by Waltz’s dance, born in deep lockdown, embraces the openness and fluidity of Terry Riley’s classic minimalist score. It’s coming to BAM. By A.J.

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Taking the body itself as her subject in Körper, Waltz combines clinical analysis ...

Or rather, dance: as Michael Clark has observed, one of Sacre's gifts to a choreographer is the in-built necessity of dance to the scenario, in which a victim is chosen by a crowd and forced to dance ...

Based in Berlin, Sasha Waltz & Guests are known for developing highly original choreographic musical theatre performances. They have collaborated with more than 250 artists and ensembles from 25 ...

This paper brings Merleau-Ponty's phenomenological approach to Sasha Waltz's dance film S, which focuses on the relation between sexuality and language. Maintaining that movement in cinema takes place ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. As part of the centenary celebrations of Stravinsky's masterpiece, The Rite of ...

From Salzburg to Dijon to Paris, a German choreographer adds striking dance to the sacred oratorio. By A.J. Goldmann As Waltz’s Berlin troupe commemorates its anniversary, its founder looks back on ...

As part of Cal Performances Berkeley RADICAL 2018/19 season, a special series entitled Women’s Work focuses on the cultural expression of women artists. This past week, German choreographer Sasha ...

In November, Sasha Waltz, the quirky, ironic German choreographer, will make her New York debut at BAM, performing the U.S. premiere of Körper, an exploration of the body that won raves in Europe. She ...

Yet Sasha Waltz, one of Germany's foremost contemporary dancemakers, was at first reluctant to create her own Sacre, though she eventually did it – and for no less illustrious an ensemble and occasion ...